‘All my works place themselves between representation and abstraction, reality and illusion.’
‘All my works place themselves between representation and abstraction, reality and illusion.’
Kari Dyrdal pushes the boundaries of textile art, blending traditional weaving techniques with cutting-edge digital technology to create monumental tapestries. Her large-scale weavings are more than visual displays—they tell stories. By integrating traditional craftsmanship with modern digital tools, she redefines textile art, proving that weaving is as much about innovation as it is about heritage.
Dyrdal’s passion for textiles began in childhood when she learned embroidery from her grandmother. This early exposure to craft led her to formal studies in textile arts, earning a degree from Bergen Kunsthåndverksskole in 1977. She continued her education with postgraduate studies at Croydon College of Art and Technology in London in 1978.
Dyrdal works at the intersection of memory, pattern, and structure. Using her own photography as a starting point, she transforms images into woven surfaces through digital looms, merging representation with abstraction. Her compositions, created with meticulous precision, balance mechanized precision with rich textures to offer both intellectual depth and tactile presence.
Major public collections worldwide showcase Dyrdal’s work, including:
The Museum of Fine Arts, Boston, USA
The National Museum of Decorative Arts and Design, Trondheim, Norway
KODE/Vestlandske Kunstindustrimuseum, Bergen, Norway
Sørlandets Kunstmuseum, Kristiansand, Norway
A former professor at the University of Bergen’s Faculty of Art, Music, and Design, Dyrdal has played a key role in shaping the next generation of textile artists. She continues to live and work in Norway, redefining the possibilities of textile art.
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