Through collage and montage, Susanne Wellm assembles familiar, often unassuming, fragments of reality into multilayered poetic spaces. Here, fiction and fact, stagnation and movement, the internal and the external converge to create meaningful moments that remain open to interpretation, reflecting our ongoing search for meaning between ourselves and the world.
The practice of Akiko Hirai is rooted in the Japanese tradition of letting the clay dictate its firing process, focusing on the dynamic interaction between object and viewer that also allows for individual interpretation.
Together, they weave stories of past and present in different worlds.